Montreal-based artist, producer, engineer and remixer Patrick Holland recently announced his self-produced debut album, You’re The Boss, out this Summer on Sinderlyn.
LISTEN/WATCH: “NICE TRY”
Following the album’s earworm of a first single “Sinister Bell,” “Nice Try“is out now. Featuring sunny guitars and velvety vocal harmonies, courtesy of Holland’s bandmate Jane Penny of TOPS, “Nice Try” receives an incredible Erin O’Connor directed video. Holland has been known in the past for his electronic releases under aliases such as Project Pablo and Jump Source, and just as this album showcases another side of his sonic palette, this video also sees him transform. Watch makeup artist Carole Méthot turn into Patrick Holland and listen to “Nice Try” HERE.
“The ghost has departed, the script is flipped – the haunter has become the hauntedand decided it’s enough. ‘Nice Try’ is about letting go on both sides, and reminiscing about the good times together,” Holland explains of the track. “It was a dream come true having Jane Penny of TOPS sing in unison with me on this one, and I ‘ve admired Carole ‘s work her from a distance for a while now, so when Erin proposed the concept of documenting her transformation Her, I was excited. Sitting back and witnessing Carole turn into a bizarro me was freaky and fun.”
Patrick Holland has been known in the past for his electronic releases, as well as his production and remix work for artists such as TOPS, Cut Copy, Jacques Greene, Homeshake, and more. Now with You’re The Boss, Holland is re-introducing himself and making his first foray into guitar-driven indie pop. Written and recorded in tandem, You’re The Boss finds Holland self-producing, playing almost every instrument on the record, as well as singing and writing his own lyrics for the first time. Though it’s full of firsts, You’re The Boss sounds like the work of an indie artist decades into their career.
PRE-ORDER YOU’RE THE BOSS – OUT 7/29 ON SINDERLYN
- Sinister Bell
- Nice Try
- Running From Nothing
- Puzzled Thoughts
- The Shame Of It All
- Sink to Dusk
- Let’s Hear What You Know
- Losing Touch
- Weight Falls
- For You I Do
- Grid Lock
More on Patrick Holland and You’re The Boss:
Patrick Holland is no stranger to ghosts. In the last several years, the Montreal-based musician/producer has become accustomed to odd noises, electronics breaking, misplaced items, and, on a recent occasion, a glass shattering spontaneously next to him. Annoying, to be sure, but he’s made peace with it; the unknown, after all, is only frightening if we allow it to be. This attitude is at the heart of Holland’s new album – addressed in part to an unnamed, pseudo-paranormal “other,” You’re The Boss is his first foray into guitar-driven indie pop, full of upbeat reflections on relinquishing control.
Like most touring musicians, 2020 found Holland at a crossroads. Known primarily for his electronic releases under aliases such as Project Pablo and Jump Source, he’d spent the last several years traveling the world playing DJ sets and festivals. Behind the scenes, he was also working as a mixing engineer, producer and remixer, lending his technical prowess to TOPS, Cut Copy, Jacques Greene, Homeshake, and more. In the standstill of the early pandemic, uncertainty manifested itself in the “ghost” – an amalgamation of Holland’s personal anxieties, the open-endedness of the future, and other unexplained phenomena. Rather than succumb to this doubt, however, Holland befriended it. “You’re the boss” became a sort of mantra in this effort, a reminder to surrender control as he dove into unfamiliar terrain. Over a period of several months, Holland wrote and recorded the album in tandem, playing most of the instruments himself as well as writing and singing lyrics for the first time in his recorded work his.
Despite covering a lot of sonic ground, You’re The Boss also sounds remarkably cohesive, a testament to Holland’s airtight production and mixing capabilities. There’s tension on this record despite its gloss, to be sure – experimenting with lyricism and singing for the first time was an exercise in vulnerability for Holland, and the resulting reflections find him grappling with self-doubt. While it’s a stylistic pivot from the house and ambient textures of his prior releases his, the keen melodic sensibilities that have always underpinned his music his are on full display here.
It’s ironic, in a way, that an album about relinquishing control would turn out to be such a masterful display of creative faculty. Long-standing fans of Holland’s will find this unsurprising. Though it’s full of firsts, You’re The Boss sounds like the work of an indie artist decades into their career.